Rok Vevar, theoretician and dance archivist from Ljubljana, introduces the choreographic oeuvre of Lucinda Childs with a retrospective look at her Judson Dance Theater period (1962-1964), with some extensions up until 1968, in order to understand where her work was heading to after she returned to the stage in 1973 and made the pieces that are part of the Works In Silence (1973-178).
Part of Kondenz Festival of Contemporary Dance and Performance, Belgrade